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Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

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Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

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                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

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                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

</image:caption>
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                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

</image:caption>
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                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2455226939619145537224689744242/241212_K-Arts_L26.jpg</image:loc>
                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

</image:caption>
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                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

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                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

</image:caption>
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                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

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                    <image:loc>https://freight.cargo.site/t/original/i/D2455233835786843540950884972914/241212_K-Arts_L35.jpg</image:loc>
                                            <image:caption>

Exhibition view of the 2024 K-Arts space Opening Exhibition 𝑻𝒉𝒊𝒔 𝒏𝒂𝒎𝒆𝒍𝒆𝒔𝒔 𝒔𝒊𝒕𝒆𝒔. Photo: Dongwoong Lee. Courtesy of the Center for Visual Studies of the School of Visual Arts, Korea National University of Arts

</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2455235986160693701420735953266/from-pyongyang-to-pluto-and-back_still_3.jpg</image:loc>
                                            <image:caption>Aram Lee, &lt;i&gt;From Pyongyang to Pluto and Back&lt;/i&gt;, 2019, Two-channel video, color, sound, 12 min., Supported by Arts Council Korea (ARKO) and Jan van Eyck Academie, Courtesy of the artist
&lt;br /&gt;
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2488440719460083323703388436850/2024 K-Arts space 개관전 《이 이름없는 장소들》, K-Arts space, 서울, 한국</image:loc>
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            <url>
                        <loc>https://hyewonlee.site/온—보딩-우주로-가기,-우주에서-사랑하기</loc>
            
            
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                        <loc>https://hyewonlee.site/빛나는-도시,-어두운-황홀경</loc>
            
            
            <lastmod>2026-02-15T14:44:24+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/N1609745098609221253684966891187/horizontal_dark.svg</image:loc>
                                            <image:caption>

Exhibition view of &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Seoul Museum of Art, Emerging Artists &amp;#x26; Curators 2024

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                    <image:loc>https://freight.cargo.site/t/original/i/R2416465073127347970573230045554/_DSF0890-Enhanced-NR.psd_--_2-2.jpg</image:loc>
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Exhibition view of &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Seoul Museum of Art, Emerging Artists &amp;#x26; Curators 2024

</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2455333785171515566981990742386/_DSF8993.jpg</image:loc>
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Exhibition view of &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Seoul Museum of Art, Emerging Artists &amp;#x26; Curators 2024

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2455333785153068822908281190770/_DSF9025_HDR.jpg</image:loc>
                                            <image:caption>Jaeha Ban, &lt;i&gt;Barton Touch Dystopia&lt;/i&gt;, 2024, audience participatory game using AI image generator, variable installation. Commissioned by&lt;i&gt; the Dreams of Apocalypse―Dystopic Images of Modern City and ‘Neo’ Seoul and Pyongyang&lt;/i&gt; Seminar, Amado Art Space, 2024. Courtesy of the artist.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2455333785097728590687152535922/_DSF9059.jpg</image:loc>
                                            <image:caption>Jaeha Ban, &lt;i&gt;Chromakeys of 96 years and 8 months&lt;/i&gt;, 2024, audience participatory game, PET print, profile, polyester, background stand, other mixed media, variable installation. Commissioned by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2455333785245302543276828948850/_DSF0265-Enhanced-NR.jpg</image:loc>
                                            <image:caption>Team TRIAD, &lt;i&gt;Urban Jaesaeng Device #4: Phantom Pain&lt;/i&gt;, 2024, 2-channel video, sound, wood structure, variable dimensions, 8 min. Commissioned by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2455333785226855799203119397234/_DSF0552-Enhanced-NR.jpg</image:loc>
                                            <image:caption>

Team TRIAD, &lt;i&gt;Urban Jaesaeng Device #4: Phantom Pain&lt;/i&gt;, 2024, 2-channel video, sound, wood structure, variable dimensions, 8 min. Commissioned by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2455333785116175334760862087538/_DSF9046.jpg</image:loc>
                                            <image:caption>Jaeha Ban, &lt;i&gt;Chromakeys of 96 years and 8 months&lt;/i&gt;, 2024, audience participatory game, PET print, profile, polyester, background stand, other mixed media, variable installation. Commissioned by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2455333785060835102539733432690/_DSF9097-Enhanced-NR.jpg</image:loc>
                                            <image:caption>

Jaeha Ban, &lt;i&gt;Chromakeys of 96 years and 8 months&lt;/i&gt;, 2024, audience participatory game, PET print, profile, polyester, background stand, other mixed media, variable installation. Commissioned by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2455333785263749287350538500466/_DSF0244-Enhanced-NR.jpg</image:loc>
                                            <image:caption>Nestor Siré &amp;#x26; Steffen Köhn, &lt;i&gt;Time of the Red&lt;/i&gt;, 2024, seven-channel video, sound, red powder, variable installation, 10:15, 05:57, 03:11, 11:45, 06:47, 04:48, 09:07 min. Commissioned by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2455333785134622078834571639154/_DSF9033.jpg</image:loc>
                                            <image:caption>

Jaeha Ban, &lt;i&gt;Barton Touch Dystopia&lt;/i&gt;, 2024, audience participatory game using AI image generator, variable installation. Commissioned by&lt;i&gt; the Dreams of Apocalypse―Dystopic Images of Modern City and ‘Neo’ Seoul and Pyongyang&lt;/i&gt; Seminar, Amado Art Space, 2024. Courtesy of the artist.

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2455333785282196031424248052082/_DSF0204-Enhanced-NR.jpg</image:loc>
                                            <image:caption>Nestor Siré &amp;#x26; Steffen Köhn, &lt;i&gt;Time of the Red&lt;/i&gt;, 2024, seven-channel video, sound, red powder, variable installation, 10:15, 05:57, 03:11, 11:45, 06:47, 04:48, 09:07 min. Commissioned by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2455333785208409055129409845618/_DSF0890-Enhanced-NR-1.jpg</image:loc>
                                            <image:caption>

Exhibition view of &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Seoul Museum of Art, Emerging Artists &amp;#x26; Curators 2024

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2455334319149416268652381370738/SeMA__2024-9__SNS4.jpg</image:loc>
                                            <image:caption>Eugene Jung, &lt;i&gt;Robots Smile Not Out of Kindness, But Because They Are Programmed To. So Do Humans Nowadays&lt;/i&gt;, 2024, Acrylic, AI-generated Image, variable Installation. AI Image Generation: Ban Jaeha. Supported by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2455334319130969524578671819122/SeMA__2024-9__SNS3.jpg</image:loc>
                                            <image:caption>

Eugene Jung, &lt;i&gt;Robots Smile Not Out of Kindness, But Because They Are Programmed To. So Do Humans Nowadays&lt;/i&gt;, 2024, Acrylic, AI-generated Image, variable Installation. AI Image Generation: Ban Jaeha. Supported by the Seoul Museum of Art Emerging Artists &amp;#x26; Curators 2024, &lt;i&gt;The Radiant City, Dark Rapture―Dystopic Images of the Modern City&lt;/i&gt;, Curated by Hyewon Lee. Courtesy of the artists.

</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N1609745098609221253684966891187/horizontal_dark.svg</image:loc>
                                            <image:caption>

















&lt;br /&gt;
Sun Oh, &lt;i&gt;Dinner with Family&lt;/i&gt; (2021), Performance, mixed media installation, 15min, 300x200x200 cm,
Commissioned by the &lt;i&gt;MODERN GROTESQUE
TIMES&lt;/i&gt;, Courtesy of the artist.&lt;br /&gt;






</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2416471489310765176376892225906/20211219_111.jpg</image:loc>
                                            <image:caption>

















&lt;br /&gt;
Sun Oh, &lt;i&gt;Dinner with Family&lt;/i&gt; (2021), Performance, mixed media installation, 15min, 300x200x200 cm,
Commissioned by the &lt;i&gt;MODERN GROTESQUE
TIMES&lt;/i&gt;, Courtesy of the artist.&lt;br /&gt;






</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2456384896660609393212961225074/9_4.jpg</image:loc>
                                            <image:caption>Exhibition view of the &lt;i&gt;MODERN GROTESQUE TIMES&lt;/i&gt;, space xx</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2456384896642162649139251673458/9_3.jpg</image:loc>
                                            <image:caption>Pakdo, &lt;i&gt;Redstar Project&lt;/i&gt; (2021), Commissioned by the
&lt;i&gt;MODERN GROTESQUE TIMES&lt;/i&gt;, Courtesy of the artist.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2456384896679056137286670776690/17p.JPG</image:loc>
                                            <image:caption>STUFF DESIGN, &lt;i&gt;Boom&lt;/i&gt; (2021), Mixed media installation, r300(90°)×h300cm, Commissioned by the &lt;i&gt;MODERN GROTESQUE TIMES&lt;/i&gt;,
Courtesy of the artist.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2456384896568375672844413466994/9_2.png</image:loc>
                                            <image:caption>

















&lt;br /&gt;
NA
MIRA, &lt;i&gt;tesseract (test)&lt;/i&gt;, (2020) Still image, Courtesy of
the artist.&lt;br /&gt;






</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2456389035648810931793605065074/MGT_poster_RGB.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2456389298164425844754234112370/---2018--2--HD-------1420----..png</image:loc>
                                            <image:caption>

















&lt;br /&gt;
NA MIRA, &lt;i&gt;Night Vision&lt;/i&gt; (2018), 2 Channel infrared HD video, color, silent,
14:20min looped, Courtesy of the artist.&lt;br /&gt;






</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2456389435684902914258941409650/01_--Dinner-with-Family-2021--------2--------..jpg</image:loc>
                                            <image:caption>

















&lt;br /&gt;
Sun Oh, &lt;i&gt;Dinner with Family&lt;/i&gt; (2021), Performance, mixed media installation, 15min, 300x200x200 cm,
Commissioned by the &lt;i&gt;MODERN GROTESQUE
TIMES&lt;/i&gt;, Courtesy of the artist.&lt;br /&gt;






</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2456389833046217006036392769906/1_-------2021-----84.1x118.9-cm--------..jpg</image:loc>
                                            <image:caption>

Pakdo, &lt;i&gt;Redstar Project&lt;/i&gt; (2021), Commissioned by the&lt;i&gt;MODERN GROTESQUE TIMES&lt;/i&gt;, Courtesy of the artist.

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2456390000690227147908797856114/MGT_STUFF_info0012212021-11-29-13-42-34.JPG</image:loc>
                                            <image:caption>

STUFF DESIGN, &lt;i&gt;Boom&lt;/i&gt; (2021), Mixed media installation, r300(90°)×h300cm, Commissioned by the &lt;i&gt;MODERN GROTESQUE TIMES&lt;/i&gt;,
Courtesy of the artist.

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2456390617881390366082975824242/_.png</image:loc>
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                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2456617521964635310054080674162/SMB12-00-16-The-12th-Seoul-Mediacity-Biennale-THIS-TOO-IS-A-MAP-Seoul-Museum-of-History-2023.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2456617522112209262643757087090/_ROC7545-HDR.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2456617522093762518570047535474/_ROC7338-HDR-HDR.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2456641494504683275596721453426/SMB12-00-20-The-12th-Seoul-Mediacity-Biennale-THIS-TOO-IS-A-MAP-space-mm-2023.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2456641494523130019670431005042/SMB12-00-19-The-12th-Seoul-Mediacity-Biennale-THIS-TOO-IS-A-MAP-SeMA-Bunker-2023.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2456641494449343043375592798578/_HCK1716-HDR.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2456641494486236531523011901810/SMB12-00-21-The-12th-Seoul-Mediacity-Biennale-THIS-TOO-IS-A-MAP-Sogong-Space-2023.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2456642105331719788341104114034/SMB12-3-0-Torkwase-Dyson-I-Belong-to-the-Distance-3--Force-Multiplier-SeMA-2023.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2456642105294826300193685010802/SMB12-19-0-Torkwase-Dyson-Kujichagulia-Planning-Freedom-2023-SeMA-2023.jpg</image:loc>
                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2456642105350166532414813665650/SMB12-4-3-Torkwase-Dyson---Kwon-Lyoneun-I-Belong-to-the-Distance-3-Force-Multiplier-SeMA-2023.jpg</image:loc>
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                                            <image:caption>
















Exhibition view of the 12th Seoul Mediacity
Biennale &lt;i&gt;THIS TOO, IS A MAP&lt;/i&gt;, Seoul Museum of Art, September 21-November
19 2023. Photo: GLIMWORKERS. Courtesy of the Seoul Museum of Art



</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2456642105257932812046265907570/SMB12-40-Mercedes-Azpilicueta-Five-Spells---A-Song-2023-SeMA-2023.jpg</image:loc>
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Exhibition view of &lt;i&gt;the Kwon Jin Kyu Centennial: Angel of Atelier&lt;/i&gt;, Seoul Museum of Art, March 24-May 22 2022. Courtesy of the Seoul Museum of Art

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2456395244951993350944645871986/DSCF2092.jpg</image:loc>
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Exhibition view of &lt;i&gt;the Kwon Jin Kyu Centennial: Angel of Atelier&lt;/i&gt;, Seoul Museum of Art, March 24-May 22 2022. Courtesy of the Seoul Museum of Art

</image:caption>
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Exhibition view of &lt;i&gt;the Kwon Jin Kyu Centennial: Angel of Atelier&lt;/i&gt;, Seoul Museum of Art, March 24-May 22 2022. Courtesy of the Seoul Museum of Art

</image:caption>
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Exhibition view of &lt;i&gt;the Kwon Jin Kyu Centennial: Angel of Atelier&lt;/i&gt;, Seoul Museum of Art, March 24-May 22 2022. Courtesy of the Seoul Museum of Art

</image:caption>
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                                            <image:caption>Exhibition view of &lt;i&gt;the Kwon Jin Kyu Centennial: Angel of Atelier&lt;/i&gt;, Seoul Museum of Art, March 24-May 22 2022. Courtesy of the Seoul Museum of Art</image:caption>
                                    </image:image>
            
                
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Exhibition view of &lt;i&gt;the Chung Seoyoung: What I Saw Today&lt;/i&gt;, Seoul Museum of Art, September 1 - November 13 2022. Courtesy of the Seoul Museum of Art

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Exhibition view of &lt;i&gt;the Chung Seoyoung: What I Saw Today&lt;/i&gt;, Seoul Museum of Art, September 1 - November 13 2022. Courtesy of the Seoul Museum of Art

</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2456687040936200558155296831858/d743c672_3.jpg</image:loc>
                                            <image:caption>Exhibition view of &lt;i&gt;the Chung Seoyoung: What I Saw Today&lt;/i&gt;, Seoul Museum of Art, September 1 - November 13 2022. Courtesy of the Seoul Museum of Art</image:caption>
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Exhibition view of&lt;i&gt; the Tiger Lives&lt;/i&gt;, Seoul Museum of Art, September 7, 2020 – December 19, 2020, Courtesy of the Coreana Museum of Art



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Exhibition view of&lt;i&gt; the Tiger Lives&lt;/i&gt;, Seoul Museum of Art, September 7, 2020 – December 19, 2020, Courtesy of the Coreana Museum of Art

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